Helen Sinclair was born in South Wales in 1954. She studied sculpture at Wimbledon School of Art (1972- 1976). After teaching for twelve years, she has been a full-time sculptor since 1988. With her technician (traveller and writer Gary Ley) she does her own mouldmaking and resin casting. All her bronze sculpture is cast at the MB Fine Arts Foundry in Pembrokeshire.
Her influences include the sculptural forms and mythology of ancient civilisations (Etruscan, Egyptian, South American), Italian Renaissance sculpture (especially Donatello) and twentieth century sculptors : Emilio Greco, Medardo Rosso, Giacometti and, most notably, Willhelm Lehmbruck. She also looks to painting for inspiration, especially Picasso, Matisse, Chagall and Modigliani.
Many of my pieces are cast in editions and sold via exhibitions. Others are commissioned - for instance by Gary Rhodes for one of his restaurants, by the Vicar of All Saints in Fulham (for the churchyard) and by Chichester Cathedral for the grounds of an historic almshouse.
Helen exhibits widely in the UK and has work in private collections on four continents.
Some insight into Helen's work, processes and inspirations:
"I have been making sculpture for over twenty years and the process is still a delight to me. With every piece I make, I find the working process both comfortingly familiar and refreshingly surprising.
Although not the only subject I work from, the human form is the one I keep coming back to: the actual figure (in movement and at rest, clothed and unclothed) and the figure as depicted by other artists in any medium and at any phase in history.
I make semi-figurative sculpture, cast into either resin or bronze from originals which I make in plaster, clay, wax, cardboard, wood.
The materials I work with are as stimulating to me as the subject matter. I live by the sea and collect driftwood, broken furniture, discarded plastic debris and other beach-found ‘stuff’, all of which regularly introduce new and unexpected vocabulary to explore. I have made small and large sculpture entirely of found material. These are all foundry-cast by the traditional lost wax method. Any of my small pieces can be thought of as maquettes for larger pieces."